The performance will have two sections. In each section, Mir will explain the standard parts of a tabla solo, share his interpretations and engage in discussion with Xander Naylor. Accompanied by Rohan Misra on Sarangi
Mir Naqibul Islam
An avid student of Tabla, Mir has trained in the traditional guru-shisya style of Indian Classical music from Pt. Ashoke Paul, a disciple of the great tabla guru Pt. Jnan Prakash Ghosh. Now living and working in New York City, he performs regularly with musicians from a wide variety of other genres, bringing tabla to Jazz, Middle-Eastern music, and other contexts. By listening, learning, and playing with musicians from around the globe, Mir is developing a unique musical aesthetic bringing together the musical influences of traditional Farukhabad style tabla and 21st century New York. Mir has studied with Pt. Gopal Mishra and Pt. Suresh Talwalkar in past and continuing his talim with the great Farukhabad Mastero Pt Anindo Chatterjee.
Rohan Misra is a promising young musician, specializing in the unique Indian bowed instrument called the Sarangi (translation: An instrument with a hundred colors). As the son and disciple of great Sarangi virtuoso Pandit Ramesh Misra, Rohan has inherited many of his father-Guru’s specialties, including tonal quality and aesthetic approach.
Rohan Started learning the Sarangi from his father Pandit Ramesh Misra at the age of six. His exposure to music since early childhood attracted him to learn other Indian instruments as well. He has been learning Tabla from the renowned maestro Samir Chatterjee. Rohan is also pursuing his education in western music, particularly focusing on the Piano and Clarinet. Coming out of the family of nine generations of Sarangi players, Rohan aspires to be successful as the 10th generation in his lineage. He also wishes to further his musicality by blending certain aspects of western music into his heritage of Indian classical music to emerge with a unique musical expression.