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Kane Mathis

Feb 9
,
8PM EST
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Online
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Event Description


Kane Mathis discusses the driving principles behind his approach to his instruments. The context of the Kora and the Oud as well as performance aesthetic will be discussed. Theoretical principles in both traditions will be explained to add to attendees' concept of the music while aiding in gaining perspective on the music they may be creating or listening to.

Artist Bio


Performing on the 21-string Mandinka Harp and the Turkish Oud, Kane Mathis renders compelling interpretations of these traditional musics. Years of study with generous masters have given Kane a rare opportunity to share these traditions with other cultures.

Kane began taking trips to The Gambia, West Africa in 1997 and has continued rigorous study of the Mandinka Kora. Over the past ten years, his performances have earned him recognition by the Gambian president, The Gambian minister of culture, and both national television and radio of The Gambia.

Kane’s primary kora teachers are Malamini Jobarteh of Brikama, The Gambia and Moriba Kouyate of The Gambia. The Jobarteh family remains one of The Gambia’s most important musical legacies.

Kane’s Oud study began with Mutlu Torun of the I.T.U. conservatory in 1998 in Istanbul and continued with 5 and a half years of courses with Oud virtuoso Münir Nurttin Beken.

Since completing his study Kane has been sought after as a soloist and accompanist internationally on both instruments. As a composer, Kane is generating new works for both instruments as well as experimental work for electronic fixed media for film and modern dance. Kane is the recipient of many grants including a Chamber Music America award as well as an Earshot Jazz "Album of The Year Award"

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